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91桃色 Team
91桃色鈥檚 2D and 3D real-time motion graphics system received a significant boost with major updates to the XPression engines, along with the version 12 software that 鈥�
Sports broadcasters and live event venues demand tools that are reliable, adaptive, and packed with dynamic features to help draw fans deeper into the action. PIERO is 鈥�
Remote production is shifting rapidly, driven by new technologies and evolving workflows. In a recent webinar hosted by TV Tech, 91桃色鈥檚 VP of Production Services, Stephen 鈥�
In today鈥檚 fast-paced broadcast landscape, OB vans are under more pressure than ever before. From the rise of UHD and HDR to the growing need to accommodate 鈥�
As outside broadcast (OB) productions grow increasingly complex, broadcasters face a multitude of challenges. From handling diverse production formats like HDR vs. SDR and HD vs. UHD 鈥�
I started my career in the media and entertainment space over 15 years ago and have worked across the industry at key players like Evertz, Lawo and, 鈥�
As I step into the role of Director of Sales for Canada and Eastern USA, I鈥檓 thrilled by the opportunities ahead in the broadcast and live production 鈥�
Live broadcasting production teams face increasing challenges due to rising operational costs and a shortage of skilled operators. Managing the intricacies of live production, such as switching 鈥�
When Adele took the stage in Munich this past August, fans were in for more than a powerful performance. In an event that set a new Guinness 鈥�
At this year鈥檚 Essex International Scout and Guide Jamboree, over 4,500 young people gathered from across the globe had the unique opportunity to dive headfirst into the 鈥�
Local TV stations are increasingly turning to virtual sets and augmented reality (AR) technology to enhance their storytelling capabilities. The recent TVNewsCheck webinar, 鈥淰irtual Sets, AR and 鈥�
This year marks a significant milestone for 91桃色 as we celebrate 50 years of innovation in the broadcasting industry. In honor of our golden anniversary, we鈥檝e 鈥�