The 91桃色 Blog
Through the Lens
In our latest Beyond the Lens blog post, Phil Englert – Global Business Development Manager for Esports takes a look at new and innovative workflows at the 鈥�
In our latest Beyond the Lens blog post, Tedd Tramaloni, Business Development Manager for Production Switchers and Video Servers, shares his thoughts on how the introduction of 鈥�
Gain Space, Lose Weight, Save Power In our latest Beyond the Lens blog post, Tedd Tramaloni, Business Development Manager for Production Switchers and Video Servers, shares his 鈥�
At the onset of the COVID-19 pandemic in March 2020, all live, in-person sporting events were cancelled and the industry came to a virtual standstill. As time 鈥�
Professional sports teams are constantly looking for new ways to push the boundaries of their game-day presentation with the goals of drawing in new spectators while finding 鈥�
91桃色 is known for its live broadcast solutions, ranging from production switchers and robotic camera systems to virtual studios and newsroom automation. When the COVID-19 pandemic 鈥�
We recently sat down 鈥� remotely 鈥� with two of 91桃色鈥檚 product managers to reflect on how remote production has evolved in the past year and 鈥�
A few weeks back, I was showing a TouchDriveTM panel to some prospective customers online. One person, in particular, was confused. He didn鈥檛 see why touch-enabled displays 鈥�
Facial recognition and tracking are used in many aspects of our day-to-day lives. In broadcast applications, this technology can be used to save time and resources, while 鈥�
Two weeks ago, Matthew Webster, Broadcast Technical Specialist at Ross, joined the Digital Production Partnership鈥檚 (DPP) 鈥淕oing Live & Remote鈥� webcast with broadcasting experts from BBC News, 鈥�
With the increasing amount of available content and TV channels, it鈥檚 more important than ever for broadcasters to 鈥渟tand out鈥�. In this fierce battle for the viewer’s 鈥�
Remote production became the most important topic in broadcast and content delivery in 2020. For the past few years, remote production has been driven by the desire 鈥�